by cruz | Dec 11, 2020 | Maker, News, Researcher
It is my absolute pleasure to inform that finally, my bagpipe making workshop is up and running!!! I must say it took too long to give you this news! I feel like I have been moving around my machines since April 2019. Moving all the way from Portugal was challenging,...
by cruz | Dec 4, 2020 | News, Researcher
I am happy to announce that after being awarded by the Sibelius Academy foundation, with a “Research expenses” grant, and by the Sibelius Academy with a research position for the next 3 years, I have now been selected as one of the 2021 Kone foundation...
by cruz | Nov 18, 2020 | News
It is my pleasure to announce that I have been invited by my Sibelius Academy colleagues to collaborate in the organizing of SibA Research Days 2021. After participating as a speaker at the 2020 edition, it is now my duty to help make sure that other colleagues and...
by cruz | Nov 17, 2020 | Video
Javier Sanchez, is a talented young Bass player living at Helsinki – Finland. He’s a graduate from the Complutense University of Madrid, the Berkley college of music, and more recently the Sibelius Academy – University of Arts Helsinki In this interview,...
by cruz | Oct 16, 2020 | News, Researcher
I’m thrilled to share my recent experience at the joint doctoral Study Days between the Royal Academy of Music, London (RAM) and Sibelius Academy (SibA). This event, hosted by our academy, was a unique opportunity to share and learn about artistic and...
Gonçalo Cruz
is a Researcher, Musician, Educator & Maker of Bagpipes & Woodwinds.
He holds a Masters in Architecture, and is currently a Doctoral candidate at the Sibelius Academy - “Forgotten Bagpipes - The redesign of the Säkkipilli in Finland”. His research interests are in the disciplines of Music, Ethnomusicology, Organology, as well as Art & Design, History & Archeology, with a special interest in the subjects of Instrument building, Tuning and Temperament.
As an artist, Gonçalo has been working as a music composer and guest musician on live and recorded performances, and is keen in developing the concept of “Music as Design”